18 December 2015 - 10 January 2016

Said Atabekov at the The Migrant (Moving) Image group show in Rotterdam

18 December 2015 - 10 January 2016

An exhibition dedicated to the problem of refugees in Europe has opened in A Tale of a Tub foundation in Rotterdam. The aim of the show is to move away from the image imposed on us by the media, which associates immigration with fear and to show an alternative view of the world in a constant flux. The exhibition is organised in three chapters and an epilogue and Said's Atabekov video Neon Paradise will be shown in the third chapter. 

a-tub.org

10 August - 15 September 2019

WATER(PROOF) group show has opened in Berlin

10 August - 15 September 2019

Almagul Menlibayeva will participate in the group show, titled WATER(PROOF), taking place at the MOMENTUM in Berlin. The show will feature a wide range of international artists, alongside members of Mathilde ter Heijne’s class for performance and time-based media at UdK, for a global conversation on environmental threats to the future of water. The artworks on display in WATER(PROOF) intend to illustrate how our lifestyles are negatively impacting the planet and aim to raise questions about how to sustainably manage our fresh water resources. 


http://momentumworldwide.org

30 October – 9 November, 2014

Almagul Menlibayeva at the Prologue Exhibition for the 2016 Honolulu Biennial

30 October – 9 November, 2014

Almagul Menlibayeva will be participating in Chain of Fire, co-presented by Hawaii International Film Festival and Honolulu Biennial Foundation, curated by Dr. Kóan Jeff Baysa and Isabella Ellaheh Hughes. 

www.honolulubiennial.org

Yelena and Viktor Vorobyev awarded the Grand Prix of the annual First April Competition in Bishkek

The annual First April Competition which took place at the Asanbay Centre in Bishkek this year, entitled Fathers and Sons / Fathers and Grandfathers included more than forty artists from Central Asia. Yelena and Viktor Vorobyev were awarded the Grand Prix for their installation Relatives, in which they manually retouched old and new photographs of their family members from the home archive to bring the old photographs taken with a film camera and the new digital images closer to each other, closing the time gap separating the generations.

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